Top 10 Remarkable Facts about Camille Saint-Saëns
Charles-Camille Saint-Saëns was born in October 1835 in 鶹APP. He was the only child of Jacques-Joseph-Victor Saint-Saëns and Françoise-Clémence. His father was an official in the French Ministry of the Interior.
He was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868) and The Carnival of the Animals (1886).
Saint-Saëns wrote more than forty chamber works between the 1840s and his last years. One of the first of his major works in the genre was the Piano Quintet (1855).
It was a straightforward, confident piece, in a conventional structure. The piece had lively outer movements and a central movement containing two slow themes, one chorale-like and the other cantabile.
Let’s learn more Remarkable Facts about Camille Saint-Saëns
1. He was a Musical Prodigy
Before Camille was three years old, he displayed perfect pitch. He enjoyed picking out tunes on the piano. His great-aunt taught him the basics of pianism.
Saint-Saëns gave occasional performances for small audiences from the age of five. At the age of seven, he became a pupil of Camille-Marie Stamaty.
Through Stamaty’s influence, Saint-Saëns was introduced to the composition professor Pierre Maleden and the organ teacher Alexandre Pierre François Boëly. From the latter, he acquired a lifelong love of the music of Bach, which was then little known in France
Camille Saint-Saëns made his official public debut at the age of 10. His first performance was at the Salle Pleyel.
2. Outstanding in various Subjects as a Schoolboy
Saint-Saëns was outstanding in many subjects during his school life. In addition to his musical prowess, he distinguished himself in the study of French literature, Latin and Greek, divinity, and mathematics.
His interests included philosophy, archaeology and astronomy. Saint-Saëns remained a talented amateur in later life.
3. An Organist at an Ancient 鶹APPian Church
During Camille’s studies, he was encouraged to specialise in organ studies. Since a career as a church Organist was seen to offer more opportunities than a solo pianist
His organ professor was François Benoist. Saint-Saëns considered him a mediocre organist but a first-rate teacher.
Later, Saint-Saëns accepted the post of organist at the ancient 鶹APPian church of Saint-Merri. The parish was substantial, with 26,000 parishioners.
Additionally, in a typical year, there were more than two hundred weddings. Camille had a comfortable income due to the organists and funeral fees.
In early 1858, Saint-Saëns moved from Saint-Merri to the high-profile post of organist of La Madeleine. This was the official church of the Empire.
4. The First Major French Composer to Write Piano Concertos
Saint-Saëns’ First Piano Concertos was in D (1858). However, it is not well known but the Second, in G minor (1868) is one of his most popular works.
The composer experimented with form in this piece. He replaced the customary sonata form first movement with a more discursive structure. Opening with a solemn cadenza. The scherzo second movement and presto finale were in such contrast with the opening that the pianist Zygmunt Stojowski commented that the work “begins like Bach and ends like Offenbach”.
The Third Piano Concerto, in E♭ (1869) has another high-spirited finale. However, the earlier movements were more classical, the texture clear, with graceful melodic lines.
The Fourth, in C minor (1875) was probably the composer’s best-known piano concerto after the Second. It was in two movements. Each comprised two identifiable sub-sections. It maintained a thematic unity not found in the composer’s other piano concertos.
5. Saint-Saëns Composed more than Sixty Sacred Vocal Works
Saint-Saëns sacred vocal works ranged from motets to masses and oratorios. Among his larger-scale compositions were the Requirm, oratorios Le déluge and The Promised Land.
Saint-Saëns was proud of his connection with British choirs, commenting, “One likes to be appreciated in the home, par excellence, of an oratorio.”
He wrote a smaller number of secular choral works. Saint-Saëns wrote some for unaccompanied choir, some with piano accompaniment and some with full orchestra.
6. Saint-Saëns Held one Teaching Post
Saint was a teacher at the École de Musique Classique et Religieuse in 鶹APP. He remained there for less than five years.
Saint was important in the development of French Music. His students included Gabriel Faure and Maurice Ravel. Both of them were strongly influenced by Saint-Saëns, whom they revered as a genius.
7. Supported and Promoted the most Modern Music of the day
Saint-Saëns had a reputation for outspoken musical conversation. However, in the 1850s Saint-Saëns supported and Promoted the most modern music of the day.
This included Liszt, Robert Schumann and Richard Wagner. Unlike many French composers of his own and the next generation. Saint-Saëns was not influenced by Richard Wagner in his compositions.
This despite all his enthusiasm for and knowledge of Wagner’s operas. He commented, “I admire deeply the works of Richard Wagner despite their bizarre character. They are superior and powerful, and that is sufficient for me. But I am not, I have never been, and I shall never be of the Wagnerian religion”.
8. One of his most Famous Works was Written as a Joke
The Carnival of the Animals was composed in 1886. Saint-Saëns refused to allow it to be performed.
He feared it might damage his reputation as a serious composer. The only part of the work he allowed to be performed was The Swan. It became the music to which Anna Pavlova danced The Dying Swan.
9. Saint-Saëns Served in the National Guard during Franco-Prussian War
When the Franco-Prussian war broke out. Saint-Saint-Saëns served in the National Guard during the war. However his superior was murdered by rebels, the Abbé Deguerry.
Saint-Saëns escaped to a brief exile in England. With the help of George Grove and others, he supported himself in London, giving recitals.
10. He was a Keen Traveller
From the 1870s until the end of his life he made 179 trips to 27 countries. His professional engagements took him most often to Germany and England.
For holidays he favoured Algiers and various places in Egypt. This enabled him to avoid 鶹APPian winters which affected his weak chest.
Saint-Saëns was made a Chevalier of the Legion of Honour in 1867, promoted to Officier in 1884, and Grand Croix in 1913. Foreign honours included the British Royal Victorian Order (CVO) in 1902.
The Monégasque Order of Saint-Charles in 1904. The honorary doctorates from the universities of Cambridge (1893) and Oxford (1907).
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